>^..^<

Book

Cook, Sarah, Graham, Beryl & Gfader, Verina: A Brief History of Curationg New Media Art – Conversations With Curators, The Green Box, 2010

Lialina, Olia  & Espenschied, Dragan: Digital Folklore, Merz & Solitude 2009

Bourriaud, Nicolas: Relational Aesthetic, Les Presses du réel 2002

Shirky, Clay: Cognitive Surplus: Creativity and Generosity in a Connected Age, The Penguin Press 2010

Shirky, Clay: Here Comes Everybody: How Change Happens when People Come Together, Penguin Press 2009

Paul, Christiane: Digital Art: Revised and expanded edition, Thames & Hudson 2008

Paul, Christiane: New Media in the White Cube and Beyond: Curatorial Models for Digital Art, 2008

Rush, Micheal: New Media in Art, Thames & Hudson 2005

Greene, Rachel: Internet Art, Thames & Hudson 2004

Graham, Baryl & Cook, Sarah: Rethinking Curating: Art after New Media, Leonardo 2010

Candy, Linda & Edmonds, Ernest A.: Interacting: Art, Research and the Creative Practioner, Libri Publishing Ltd. 2011 *

Alex Bentley, Mark Earls, John Maeda and Michael J. O’brien : I’ll Have What She’s Having: Mapping Social Behavior, Massachusetts Institute of Technology, 2011

Mark Holden, Ali Kazmi, Biraja Swain and Chris Stephenson: 2016: Beyond the Horizon, PhD 2011

Anderson, Chris: The Long Tail: How Endless Choice is Creating Unlimited Demand, Random House, 2007

Leif Abraham  & Christian Behrendt: Oh My God What Happened and What Should I Do?, Innovative Thunder 2010

Lévy, Pierre: Collective Intelligence : Mankind’s Emerging World in Cyberspace, Perseus Books, 1997

Benjamin, Walter: The Work of Art in the Age of Mechanical Reporduction, Penguin, 2008

Rifbjerg, Klaus, Larsen, Ole, Svendsen, Hanne Marie & Thomsen, Jens Schoustrup: Rifbjergs lytterroman, Gyldendal, 1972

Hansen, Ib Fischer: Litteratur håndbogen, Gyldendal Uddannelse, 2003

Debord, Guy & Knabb, Ken: The Society of the Spectacle, Rebel Press, 1983

Rheingold, Howard: Smart mobs : The Next Social Revolution, Cambridge, 2002

Watts, Duncan J.: Six Degrees: The Science of a Connected AgeNorton, 2003

Boden, Margaret A.: Creativity & Art – Three Roads to Surprice, Oxford University Press, 2010

Moore, Alan: No Straight Lines – Making Sense Of Our Non-Linear World, Bloodstone Books, 2012


Web

Davis, Ben: “SOCIAL MEDIA ART” In the Expanded Field, Artnet, http://www.artnet.com/magazineus/reviews/davis/art-and-social-media8-4-10.asp

Wesch, Micheal: An Antrophological Introduction to Youtube, http://www.youtube.com/watch?v=TPAO-lZ4_hU

Koblin, Aaron: Data Art: The Sheep Market,  Youtube http://www.youtube.com/watch?v=3Mmb5aSscck

http:// www.thinking.net/Creativity/

http://www.net-art.org/

http://peckhamspace.com/artists/network/sonia-boyce

http://www.blasttheory.co.uk/

http://www.tweetingcolors.com/

http://collabarts.org/

http://www.aaronkoblin.com/

http://artport.whitney.org/collection/davis/writesentence.html

 

Papers / Journals

Harwood, Tracy & Garry, Tony: ‘It’s Mine!’ – Participation and ownership within virtual co-creation environments, Journal of Marketing Management, Vol. 26, Nos. 3–4, March 2010, 290–301

Ekvall, Göran: Organizational Climate for Creativity and Innovation, European Journal of Work and Organizational Psychology, 1996, 5(1), 105-123

Edmonds, Ernst, Muller Lizzie & Connel, Matthew: “On creative engagement“, Visual Communication, 5 (307):3 (2006)

Prahalad, C. K. & Ramaswamy, Venkatram:  The New Frontier of Experience Innovation, MIT Sloan Management Review, Volume 44, Issue 4, p. 12, 2003

 

 

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